The Very Simple Idea Of A 3D Bitmap (Tokyo Art Beat)

Hideki Nakazawa’s “Art Patent Sustaining Project” @ Kandada / Project Collective Command-N

This show, organized within a series of exhibitions curated by Command-N (an activity-based art collective directed by the artist Masato Nakamura) highlights the newest activities of the artist Hideki Nakazawa, focused on the actual patents he has obtained during the past recent years.

His main patent deals with the very simple idea of a “3D bitmap”. If you know what a “pixel” (= abbreviation of pictures + element) is, you just need to think of a pixel in 3 dimensions. This 3D pixel is called “Voxel” (= combination of “volumetric” and “pixel”) and Nakazawa owns the patent for deploying any 3D bitmap art form. He claims that the purest artistic form of expression does not lie in the use of a medium, but rather in the act of creating the medium itself, just like Leonardo Da Vinci who spent a considerable amount of time just on preparing his ideal pigment. With this hypothesis, Nakazawa claims that the artistic quality of his work only resides in the following table.

Hideki Nakazawa’s “Art Patent Sustaining Project” @ Kandada / Project Collective Command-N

In this exhibition, you can take a look at the actual patent certificates that the artist obtained both in Japan and the US, along with a showcase of the 3D Bitmap editing software he directed and published in 1996.

Hideki Nakazawa’s “Art Patent Sustaining Project” @ Kandada / Project Collective Command-N

Gnolia – Wikipedia, the free encyclopedia

Gnolia – Wikipedia, the free encyclopedia

Gnolia, named Ma.gnolia until 2009, was a social bookmarking web site with an emphasis on design, social features, and open standards. It is now perhaps most notable for losing members’ bookmarks in a widely reported[2][3][4][5][6] data loss incident in January 2009. It relaunched as a smaller service several months later and was ultimately shut down at the end of 2010.

Users could rate bookmarks and mark bookmarks as private. Unlike its main competitor[7] Delicious, Ma.gnolia stored snapshots of bookmarked web pages. One feature that distinguished it from other similar web sites was the group feature, which allowed several users to share a common collection of bookmarks, managed by a selected number of group managers.

The design of the web site allowed for integration of the service into other applications via both a REST API and an API similar to the Delicious API.

Ma.gnolia Suffers Major Data Loss, Site Taken Offline | WIRED

Source: Ma.gnolia Suffers Major Data Loss, Site Taken Offline | WIRED

There was a meltdown at bookmark sharing website Ma.gnolia Friday morning. The service lost both its primary store of user data, as well as its backup. The site has been taken offline while the team tries to reconstruct its databases, though some users may never see their stored bookmarks again.

The failure appears to be catastrophic. The company can’t say to what extent it will be able to restore any of its users’ data. It also says the data failure was so extensive, repairing the loss will take “days, not hours.”

In light of today’s outage, many are questioning the reliability of web apps and web-based storage in general. Twitter in particular is full of users venting their suspicions.

Cloud computing becomes fog when it goes down,” says Todd Spragins in a Twitter post.

Another common thread: People are talking about bailing on Ma.gnolia in favor of competitor Delicious.

Ma.gnolia posted a short note on its website shortly after 9 a.m. Pacific time, saying it was down temporarily due to a database failure. Later Friday morning, company founder Larry Halff issued an apology on the homepage along with the following note:

Ma.gnolia experienced every web service’s worst nightmare: data corruption and loss. For Ma.gnolia, this means that the service is offline and members’ bookmarks are unavailable, both through the website itself and the API. As I evaluate recovery options, I can’t provide a certain timeline or prognosis as to to when or to what degree
Ma.gnolia or your bookmarks will return; only that this process will take days, not hours.

Wired.com also contacted Halff shortly after the outage was first reported, but he declined to give a comment beyond what he posted on the homepage. You can get status updates from Ma.gnolia’s Twitter account.

Ma.gnolia is a free, public service for saving links to websites. Most users rely on it as a bookmarking storage service, or a place to save links that they may want to revisit later. Links can be saved privately or shared publicly, so that they can be browsed by other users looking for new destinations. Many people prefer to use bookmark sharing services like Ma.gnolia rather than saving bookmarks locally — the main advantage being that while your browser’s bookmarks are stored on your machine, you can access bookmarks you share on the web from any computer with an internet connection.

Ma.gnolia’s main competitor is Delicious.com, which is owned by Yahoo. Ma.gnolia is preferred by many of the web’s tech elite for two reasons: The site has a robust and easy-to-use API for accessing stored data, and it takes a snapshot when you create a bookmark, so even if the linked site disappears, Ma.gnolia enables you to access a cached version.

Last year, Ma.gnolia mirrored its API with that of Delicious, so any web tools written for Delicious could also be used for Ma.gnolia. The API also makes it easy to create a regular local backup, though we suspect most people haven’t bothered to do that.

The Next Big Thing in Design — IDEO Stories — Medium

The Next Big Thing in Design — IDEO Stories — Medium

You may have heard that IDEO has joined the kyu collective (a unit of Tokyo-based Hakuhodo DY Holdings). kyu was formed by a group of diverse companies including SYPartners, Sid Lee, Digital Kitchen, C2, and Red Peak Group. It’s an exciting moment for us, and we wanted to explain why.

Since IDEO started over 30 years ago, we’ve walked the gangway from industrial products to digital experiences (which we started working on in 1985, when co-founder Bill Moggridge coined the term “interaction design” — a considerable improvement over soft-face, which he had come up with the year before to describe the application of industrial design to software products) to our current interest in designing complex systems. The rate of change has been dizzying, and today’s advanced technologies — AI, genomics, robotics, data science, the Internet of Things — have so outpaced our industrial-era organizations and infrastructure, they end up hitting institutional cul-de-sacs. The technologies don’t come to a halt, of course, they simply move on, seeking out other places where they race ahead. If our institutions are to survive, they’ll have to create new roadways.

That’s a design problem — one that requires new rules of engagement with a broad set of collaborators. We’re excited to have found those collaborators in a few like-minded design firms. Now we’re joining forces to form a creative collective called kyu.

Why now? Is it because we’re caught in the much ballyhooed death spiral of the independent design firm? Not so much. But we have learned a few things about what it takes to tackle today’s toughest systems challenges. Namely, that bringing human-centered design to education, government, healthcare — the sectors that need it most — requires a few important culture shifts:

1. We need to bust out of siloed design practices.

2. We need to develop ever-broader capacities, taking an interdisciplinary, deeply collaborative approach.

The Anatomy of Type by Stephen Coles – An online companion to the book — The Anatomy of Type: A Graphic Guide to 100…

The Anatomy of Type by Stephen Coles – An online companion to the book — The Anatomy of Type: A Graphic Guide to 100…

The Anatomy of Type: A Graphic Guide to 100 TypefacesAKA The Geometry of Type: The Anatomy of 100 Essential Typefaces Students and professionals in any creative field can benefit from a good typographic eye. The Anatomy of Type (published in the UK as The Geometry of Type) is all about looking more closely at letters. Through visual diagrams and practical descriptions, you’ll learn how to distinguish between related typefaces and see how the attributes of letterforms (such as contrast, detail, and proportion) affect the mood, readability, and use of each typeface. Nutritional value aside, the spreads full of big type make tasty eye candy, too. The typefaces featured in the book are hand-picked by the author for their functionality and stylistic relevance in today’s design landscape. Along with several familiar faces (such as Garamond, Bodoni, Gill Sans, and Helvetica), you’ll also discover contemporary fonts that are less common — and often more useful — than the overused classics. This website will be updated with news and resources related to the book’s content. Subscribe to the RSS feed or follow on Tumblr for updates.

The Curse of Storage

The Curse of Storage

Our ever-growing collections of information and objects can lead to thoroughly modern crises that echo the past. Commentary by Momus.

I’ve been thinking about the parallel between object storage and information storage — apartments and computers — ever since visiting an interesting exhibition at London’s Barbican last month.

Future City looks at experiment and utopia in architecture over the last 50 years. I was particularly impressed by a quote from Japanese metabolist architect Kiyonori Kikutake. “A Japanese room is determined by information,” Kikutake was quoted as saying, “whereas a Western room relies on objects.”

I thought immediately of Kyoichi Tsuzuki’s photographs of Tokyo apartments. These tiny places (I lived in one myself for a year) tend to consist of an empty living space — typically a tatami-covered floor — surrounded by densely packed information-storage systems.

The information “saved” to these spaces might be clothes, records, knickknacks, magazines, toys — the obsessively collected, meticulously arranged, somewhat pointless “hard copy” of countless shopping trips. The tatami-and-futon floor space, meanwhile, is where processing happens.

There, the room’s occupant does his living, eating, loving, sleeping, thinking. This is the room’s RAM, its processor, where the present moment is all. Here the timeline of human attention scans through a book, a manga, a magazine or website, one page at a time.

Never one to pass up an opportunity to think of my lifestyle as Japanese rather than Western, I decided there and then to create a “Japanese” apartment in Berlin, a place devoted to information and the storage of information. My new apartment, after all, was on the small side. I’d have to resort to Japanese tricks and a Japanese sensibility to make it work. I had in mind not just Tsuzuki’s photographs of stashed Tokyo pads, but also a lovely book I have (it’s in a box somewhere) of photographs of Japanese writers’ rooms.
Continue reading “The Curse of Storage”

Blockwriter + Subtraction.com

Blockwriter + Subtraction.com

Alternate title: How to turn your computer into a manual typewriter. 

As we all know, the surfeit of distractions available on a personal computer these days can make it exceedingly easy to get nothing done. There’s the constant haranguing of emails, the intrusions of instant messaging, and the endless nagging of countless other attention-hungry applications and utilities.

In looking for ways to defuse this, I noticed a few years ago that some serious writers, at least in the early drafting stages of their work, were turning to manual typewriters as a method of sidestepping all of those distractions. It’s a great solution: what better way to thwart a computer than to step away from it completely? There’s no email to check on a typewriter, no beeps and pop-up reminders from other applications, and no access whatsoever to the Internet and its tantalizing abundance of productivity-killing diversions.

What’s more, a manual typewriter is a powerful antidote to authorial dawdling, that propensity to continually re-edit a sentence or a paragraph — thereby imparting the feeling of working without really working — instead of continuing to write new sentences or paragraphs instead. Unlike word processors or even the simplest text editors, manual typewriters don’t allow you to easily re-edit, insert and revise a sentence once it’s been committed to paper. This makes for an entirely different writing experience: the ideas come first, and the act of finessing them, of word-smithing, comes after all the ideas have been set to paper.

Why Hardware When Software Will Do?

At some point, it occurred to me that it really shouldn’t be necessary to purchase another piece of hardware to accomplish the same things that writers look to manual typewriters for: the ability to focus without distractions, and the ability to work in a mode that disallows excessive editing and encourages continued writing.

Neither of those things are beyond the capability of software, so why not just write software that does those things? I almost don’t have to write any more in this blog post and most readers will get the entirety of my concept: build an application that functions almost exactly like a typewriter.

For lack of a more marketable name, I call it Blockwriter. And because I’m no programmer and I’ll never get around to learning enough Cocoa skills to build Blockwriter for myself, I figured I’d just do what I know: throw together some mock-ups of the user interface to get my ideas across.

Draft Only

Of course, Blockwriter is intended only as a drafting tool, as it’s clearly impractical for the vast majority of text editing and word processing. To quickly knock out a rough version of any piece of writing that requires concentration and complexity, from a lengthy blog post to an article or even to a full-blown book manuscript, it’s the perfect tool. It provides a very narrow feature set that keeps you on task, along with one-touch methods of shutting out the rest of the system. And it’s a lot less bulky than a typewriter.

Alas, Blockwriter itself is only a draft. As I said, I haven’t nearly enough programming talent to make it happen. But I had a good time putting together the interface — more and more Web sites are referred to as “software” these days, but designing a desktop application is an entirely different experience, even a faux one like this. So the hour or two I put into Blockwriter was an interesting foray into a different kind of design. What resulted isn’t perfect, clearly, but maybe someone will find some of these ideas interesting enough to build it for real. I can’t imagine it would be particularly hard for anyone who’s comfortable with Cocoa.