essays and ideas from Eliza Sarobhasa
via The Diamond Age – Wikipedia, the free encyclopedia.
The Diamond Age: Or, A Young Lady’s Illustrated Primer is a postcyberpunk novel by Neal Stephenson. It is to some extent a science fiction bildungsroman or coming-of-age story, focused on a young girl named Nell, and set in a future world in which nanotechnology affects all aspects of life. The novel deals with themes of education, social class, ethnicity, and the nature of artificial intelligence.
What’s fiona? An acronym, perhaps. Functional… Internet-Oriented… Native… Application? File I/O Network Access?
No. It’s not a what but a who, and this is Fiona, her first appearance:
Fiona Hackworth had been wandering through the Royal Ecological Conservatory bracketed by her parents, who hoped that in this way they could keep mud and vegetable debris off her skirts.
A young woman.
A character in The Diamond Age, a science fiction novel written by Neal Stephenson, published in 1992.
A novel set in the medium-flung future, with a plot that hinges on the theft of a kind of super-book.
A super-book that is engrossing, interactive, networked; with pages that change before your eyes; that knows more or less everything. (Again: 1992.)
A science-fictional object that served as the lodestone for Amazon’s efforts, in the early 2000s, to develop an e-reader. In his chronicle of the company, Brad Stone writes: “The early [Kindle] engineers thought of the fictitious textbook in the novel as a template for what they were creating.”
From all this, a codename, Fiona, beloved by those engineers but eventually overwritten by the device’s go-to-market moniker in all places but one.
That URL.
via Doublethink – Wikipedia, the free encyclopedia.
Doublethink is the act of ordinary people simultaneously accepting two mutually contradictory beliefs as correct, often in distinct social contexts.[1]Doublethink is related to, but differs from, hypocrisy and neutrality. Somewhat related but almost the opposite is cognitive dissonance, where contradictory beliefs cause conflict in one’s mind. Doublethink is notable due to a lack of cognitive dissonance — thus the person is completely unaware of any conflict or contradiction.
George Orwell coined the word doublethink in his dystopian novel Nineteen Eighty-Four (1984); doublethink is part of newspeak. In the novel, its origin within the typical citizen is unclear; while it could be partly a product of Big Brother‘s formal brainwashing programs,[2] the novel explicitly shows people learning Doublethink and newspeak due to peer pressure and a desire to “fit in”, or gain status within the Party — to be seen as a loyal Party Member. In the novel, for someone to even recognize–let alone mention–any contradiction within the context of the Party line was akin to blasphemy, and could subject that someone to possible disciplinary action and to the instant social disapproval of fellow Party Members.
Snow Crash – Wikipedia, the free encyclopedia.
Snow Crash is Neal Stephenson‘s third novel, published in 1992. Like many of Stephenson’s other novels it covers history, linguistics, anthropology, archaeology,religion, computer science, politics, cryptography, memetics, and philosophy.
Stephenson explained the title of the novel in his 1999 essay In the Beginning… was the Command Line as his term for a particular software failure mode on the early Apple Macintosh computer. Stephenson wrote about the Macintosh that “When the computer crashed and wrote gibberish into the bitmap, the result was something that looked vaguely like static on a broken television set—a ‘snow crash’ ”.
The book presents the Sumerian language as the firmware programming language for the brainstem, which is supposedly functioning as the BIOS for the human brain. According to characters in the book, the goddess Asherah is the personification of a linguistic virus, similar to a computer virus. The god Enki created a counter-program which he called a nam-shub that caused all of humanity to speak different languages as a protection against Asherah (a re-interpretation of the ancient Near Eastern story of the Tower of Babel).
Our self-conception derives mostly from our own experience. We believe ourselves to be conscious, rational, social, ethical, language-using, political agents who possess free will. Yet we know we exist in a universe that consists of mindless, meaningless, unfree, nonrational, brute physical particles. How can we resolve the conflict between these two visions?
In Freedom and Neurobiology, the philosopher John Searle discusses the possibility of free will within the context of contemporary neurobiology. He begins by explaining the relationship between human reality and the more fundamental reality as described by physics and chemistry. Then he proposes a neurobiological resolution to the problem by demonstrating how various conceptions of free will have different consequences for the neurobiology of consciousness.
In the second half of the book, Searle applies his theory of social reality to the problem of political power, explaining the role of language in the formation of our political reality. The institutional structures that organize, empower, and regulate our lives-money, property, marriage, government-consist in the assignment and collective acceptance of certain statuses to objects and people. Whether it is the president of the United States, a twenty-dollar bill, or private property, these entities perform functions as determined by their status in our institutional reality. Searle focuses on the political powers that exist within these systems of status functions and the way in which language constitutes them.
Searle argues that consciousness and rationality are crucial to our existence and that they are the result of the biological evolution of our species. He addresses the problem of free will within the context of a neurobiological conception of consciousness and rationality, and he addresses the problem of political power within the context of this analysis.
A clear and concise contribution to the free-will debate and the study of cognition, Freedom and Neurobiology is essential reading for students and scholars of the philosophy of mind.
This book provides a comprehensive manual for designers on what design research is, why it is necessary, how to do research, and how to apply it to design work.
Doing research can make all the difference between a great design and a good design.
Most experienced designers would quantify this “legwork” with the term research. By engaging in competitive intelligence, customer profiling, color and trend forecasting, etc., designers are able to bring something to the table that reflects a commercial value for the client beyond a well-crafted logo or brochure. Although scientific and analytical in nature, research is the basis of all good design work.
This book provides a comprehensive manual for designers on what design research is, why it is necessary, how to do research, and how to apply it to design work.
As designers embrace research methodologies, they share a common vernacular with their clients, and establish respect as idea people. In an increasingly crowded marketplace, embracing research practices will ensure a continued viable role for designers in business.
The relationship between the two groups is simple: the System protects data while the Semiotecs steal it.
Hard-Boiled Wonderland and the End of the World – Wikipedia, the free encyclopedia.
The narrator is a “Calcutec,” a human data processor/encryption system who has been trained to use his subconscious as an encryption key. The Calcutecs work for the quasi-governmental System, as opposed to the criminal “Semiotecs” who work for the Factory and who are generally fallen Calcutecs.
The relationship between the two groups is simple: the System protects data while the Semiotecs steal it, although it is suggested that one man might be behind both. The narrator completes an assignment for a mysterious scientist, who is exploring “sound removal”.