essays and ideas from Eliza Sarobhasa
cf. Director Prof Andy Miah gives an overview of the future of genetics, focusing on the use of genetic information and the possibilities of tests for lifestyle characteristics.
cf. Director Prof Andy Miah gives an overview of the future of genetics, focusing on the use of genetic information and the possibilities of tests for lifestyle characteristics.
via Future Shorts: Genetics on Vimeo. Continue reading “Future Shorts: Genetics on Vimeo”
it does include, after all, the entire universe.
It will take you from the very smallest features postulated by scientists (the strings in string theory) to the very largest (the observable universe.)
Augmented reality (AR) is a live, direct or indirect, view of a physical, real-world environment whose elements are augmented by computer-generated sensory input such as sound, video, graphics or GPS data.
Augmented reality (AR) is a live, direct or indirect, view of a physical, real-world environment whose elements are augmented by computer-generated sensory input such as sound, video, graphics or GPS data.
via Augmented reality – Wikipedia, the free encyclopedia.
Continue reading “Augmented reality – Wikipedia, the free encyclopedia”
Hats off to YungHan Chang and Kimberly Knoll for directing this poetic short animation — titled No Robots — as a student project at San Jose State University. In this vignette, an anti-robot shopkeeper must deal with an unexpected clanking visitor.
via http://vimeo.com/23017365
Some INFPs have a gift for taking technical information and putting it into layman’s terms. Brendan Kehoe’s Zen and the Art of the Internet is one example of this “de-jargoning” talent in action.
via INFP Profile.
Force-sensitivity is a condition in the Star Wars universe where a life form possesses a natural connection to the Force.
Force-sensitivity is a condition in the Star Wars universe where a life form possesses a natural connection to the Force.
via Force (Star Wars) – Wikipedia, the free encyclopedia. Continue reading “Force (Star Wars) – Wikipedia, the free encyclopedia”
The desire to increase the visual impact of film has a long history. In 1929, Fox introduced Fox Grandeur, the first 70 mm film format, but it quickly fell from use.[3] In the 1950s CinemaScope (1953) and VistaVision (1954) widened the image from 35 mm film, following multi-projector systems such as Cinerama (1952). While impressive, Cinerama was difficult to install, and the seams between adjacent projected images were difficult to hide.
The IMAX system was developed by Graeme Ferguson, Roman Kroitor, Robert Kerr, and William C. Shaw.[4]