Paris Review – The Art of Publishing No. 3, Robert Giroux
“Book publishing should be done by failed writers who recognize the real thing when they see it.” —Robert Giroux
essays and ideas from Eliza Sarobhasa
Paris Review – The Art of Publishing No. 3, Robert Giroux
“Book publishing should be done by failed writers who recognize the real thing when they see it.” —Robert Giroux
Alternate title: How to turn your computer into a manual typewriter.
As we all know, the surfeit of distractions available on a personal computer these days can make it exceedingly easy to get nothing done. There’s the constant haranguing of emails, the intrusions of instant messaging, and the endless nagging of countless other attention-hungry applications and utilities.
In looking for ways to defuse this, I noticed a few years ago that some serious writers, at least in the early drafting stages of their work, were turning to manual typewriters as a method of sidestepping all of those distractions. It’s a great solution: what better way to thwart a computer than to step away from it completely? There’s no email to check on a typewriter, no beeps and pop-up reminders from other applications, and no access whatsoever to the Internet and its tantalizing abundance of productivity-killing diversions.
What’s more, a manual typewriter is a powerful antidote to authorial dawdling, that propensity to continually re-edit a sentence or a paragraph — thereby imparting the feeling of working without really working — instead of continuing to write new sentences or paragraphs instead. Unlike word processors or even the simplest text editors, manual typewriters don’t allow you to easily re-edit, insert and revise a sentence once it’s been committed to paper. This makes for an entirely different writing experience: the ideas come first, and the act of finessing them, of word-smithing, comes after all the ideas have been set to paper.
At some point, it occurred to me that it really shouldn’t be necessary to purchase another piece of hardware to accomplish the same things that writers look to manual typewriters for: the ability to focus without distractions, and the ability to work in a mode that disallows excessive editing and encourages continued writing.
Neither of those things are beyond the capability of software, so why not just write software that does those things? I almost don’t have to write any more in this blog post and most readers will get the entirety of my concept: build an application that functions almost exactly like a typewriter.
For lack of a more marketable name, I call it Blockwriter. And because I’m no programmer and I’ll never get around to learning enough Cocoa skills to build Blockwriter for myself, I figured I’d just do what I know: throw together some mock-ups of the user interface to get my ideas across.
Of course, Blockwriter is intended only as a drafting tool, as it’s clearly impractical for the vast majority of text editing and word processing. To quickly knock out a rough version of any piece of writing that requires concentration and complexity, from a lengthy blog post to an article or even to a full-blown book manuscript, it’s the perfect tool. It provides a very narrow feature set that keeps you on task, along with one-touch methods of shutting out the rest of the system. And it’s a lot less bulky than a typewriter.
Alas, Blockwriter itself is only a draft. As I said, I haven’t nearly enough programming talent to make it happen. But I had a good time putting together the interface — more and more Web sites are referred to as “software” these days, but designing a desktop application is an entirely different experience, even a faux one like this. So the hour or two I put into Blockwriter was an interesting foray into a different kind of design. What resulted isn’t perfect, clearly, but maybe someone will find some of these ideas interesting enough to build it for real. I can’t imagine it would be particularly hard for anyone who’s comfortable with Cocoa.
The function of this center was not only to orient, balance, and organize the structure-one cannot in fact conceive of an unorganized structure-but above all to make sure that the organizing principle of the structure would limit what we might call the freeplay of the structure.
No doubt that by orienting and organizing the coherence of the system, the center of a structure permits the freeplay of its elements inside the total form. And even today the notion of a structure lacking any center represents the unthinkable itself.
via Structure, Sign, Play.
Continue reading “Structure, Sign, Play”
The article described the extreme simplicity of the tribe’s living conditions and culture.
The Pirahã, Everett wrote, have no numbers, no fixed color terms, no perfect tense, no deep memory, no tradition of art or drawing, and no words for “all,” “each,” “every,” “most,” or “few”—terms of quantification believed by some linguists to be among the common building blocks of human cognition.
Structuralists view society and its rules as expressions of deep structures, often binary codes, that express our primary natures.
structuralism: art as not autonomous.
Structuralists view society and its rules as expressions of deep structures, often binary codes, that express our primary natures. A systematic study of such codes is semiotics, which was later hijacked by Poststructuralists as evidence that language alone provides a true reality.
The only completely dynamic pattern is Consciousness itself; other structures are static to a variable degree.
I must not fear. Fear is the mind-killer. Fear is the little death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.
– Bene Gesserit Litany Against Fear
The 20 Best Books for Language Lovers | Online College Tips – Online Colleges.
Language pervades everything, building and destroying as time marches ever forward.
And while even the most learned scholars can’t even begin to fully explain its physiology, origins, structures and pretty much every other component, they’ve certainly done a pretty lovely job scratching the surface.