Noam Chomsky at Occupy Boston | Open Culture

Noam Chomsky at Occupy Boston | Open Culture.

 

Noam Chomsky joined the faculty of MIT in 1955, and, soon enough established himself as “the father of modern linguistics.” (Watch him debate Michel Foucault in 1971.) During the 60s, he also firmly positioned himself as a leading public intellectual taking aim at American foreign policy and global capitalism, and we regularly saw him engaging with figures like William F. Buckley.

All of these years later, it’s quite fitting that Chomsky, now 82 years old, would pay a visit to Occupy Boston and deliver a talk in the Howard Zinn Memorial Lecture Series. Why has our political system become more responsive to corporations than citizens? How has wealth become increasingly concentrated in the hands of an ever smaller elite — a plutocracy, to put it simply? And why do billionaire hedge fund managers enjoy a lower tax rate than maligned school teachers and pretty much everyone else? Chomsky explains how we got to this point, and what’s to be done about it. Find his talk in three parts: Part 1 (above), Part 2 and Part 3.  via Dangerous Minds.

Languages and Cultures: Emotional Sapir-Whorf Hypothesis (ESWH)

An emotional version of Sapir-Whorf hypothesis suggests that differences in language emotionalities influence differences among cultures no less than conceptual differences.

An emotional version of Sapir-Whorf hypothesis suggests that differences in language emotionalities influence differences among cultures no less than conceptual differences.

via Languages and Cultures: Emotional Sapir-Whorf Hypothesis (ESWH).

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Rigveda – Wikipedia, the free encyclopedia

The fixed text was preserved with unparalleled fidelity for more than a millennium by oral tradition alone.

Rigveda – Wikipedia, the free encyclopedia

Philological and linguistic evidence indicate that the Rigveda was composed in the north-western region of the Indian subcontinent, roughly between 1700–1100 BC[4] (the early Vedic period).

The surviving form of the Rigveda is based on an early Iron Age (c. 10th c. BC) collection that established the core ‘family books’ (mandalas 27, ordered by author, deity and meter [5]) and a later redaction, co-eval with the redaction of the other Vedas, dating several centuries after the hymns were composed. This redaction also included some additions (contradicting the strict ordering scheme) and orthoepic changes to the Vedic Sanskrit such as the regularization of sandhi (termed orthoepische Diaskeuase by Oldenberg, 1888).

As with the other Vedas, the redacted text has been handed down in several versions, most importantly the Padapatha that has each word isolated in pausa form and is used for just one way of memorization; and the Samhitapatha that combines words according to the rules of sandhi (the process being described in the Pratisakhya) and is the memorized text used for recitation.

The Padapatha and the Pratisakhya anchor the text’s fidelity and meaning[6] and the fixed text was preserved with unparalleled fidelity for more than a millennium by oral tradition alone.

In order to achieve this the oral tradition prescribed very structured enunciation, involving breaking down the Sanskrit compounds into stems and inflections, as well as certain permutations. This interplay with sounds gave rise to a scholarly tradition of morphology and phonetics.

The Rigveda was probably not written down until the Gupta period (4th to 6th century AD), by which time the Brahmi script had become widespread (the oldest surviving manuscripts date to the Late Middle Ages).[7] The oral tradition still continued into recent times.

The original text (as authored by the Rishis) is close to but not identical to the extant Samhitapatha, but metrical and other observations allow to reconstruct (in part at least) the original text from the extant one, as printed in the Harvard Oriental Series, vol. 50 (1994).[8]

Isaac Asimov – Wikipedia, the free encyclopedia

Isaac Asimov – Wikipedia, the free encyclopedia

Asimov believed that his most enduring contributions would be his “Three Laws of Robotics” and the Foundation Series (see Yours, Isaac Asimov, p. 329).

Furthermore, the Oxford English Dictionary credits his science fiction for introducing the words positronic (an entirely fictional technology), psychohistory (which is also used for a different study on historical motivations) and robotics into the English language.

Asimov coined the term robotics without suspecting that it might be an original word; at the time, he believed it was simply the natural analogue of words such as mechanics and hydraulics, but for robots. Unlike his word psychohistory, the word robotics continues in mainstream technical use with Asimov’s original definition.

Star Trek: The Next Generation featured androids with “positronic brains” giving Asimov full credit for “inventing” this fictional technology. His fictional writings for space and time are similar to the writings of Brian W Aldiss, Poul Anderson and Gregory Benford.

The Silmarillion – Wikipedia, the free encyclopedia

The Silmarillion – Wikipedia, the free encyclopedia

The first section of The Silmarillion, Ainulindalë (“The Music of the Ainur”[5]), takes the form of a primary creation narrative. Eru (“The One”[6]), also called Ilúvatar (“Father of All”), first created the Ainur, a group of eternal spirits or demiurges, called “the offspring of his thought”.

The 20 Best Books for Language Lovers | Online College Tips – Online Colleges

The Architecture of Language by Noam Chomsky:

Mainstream audiences tend to think of Noam Chomsky as a sharp political commentator, but scholars know him as the heavily influential MIT linguist.

His “generative enterprise” strategy for approaching the subject blended cognitive science with language studies. In The Architecture of Language, Chomsky traces its history, tenets and the way it shape the field forever.

via The 20 Best Books for Language Lovers | Online College Tips – Online Colleges.

First computer to sing – Daisy Bell – YouTube

First computer to sing – Daisy Bell – YouTube.

“Daisy Bell” was composed by Harry Dacre in 1892. In 1961, the IBM 7094 became the first computer to sing, singing the song Daisy Bell. Vocals were programmed by John Kelly and Carol Lockbaum and the accompaniment was programmed by Max Mathews. This performance was the inspiration for a similar scene in 2001: A Space Odyssey.