Newspeak – Wikipedia, the free encyclopedia

via Newspeak – Wikipedia, the free encyclopedia.

Newspeak is the fictional language in the novel Nineteen Eighty-Four, written by George Orwell. It is a controlled language created by the totalitarianstate as a tool to limit freedom of thought, and concepts that pose a threat to the regime such as freedom, self-expression, individualitypeace, etc. Any form of thought alternative to the party’s construct is classified as “thoughtcrime.”

Newspeak is explained in chapters 4 and 5 of Nineteen Eighty-Four, and in an appendix to the book. The language follows, for the most part, the samegrammatical rules as English, but has a much more limiting, and constantly shifting vocabulary. Any synonyms or antonyms, along with undesirable concepts are eradicated. The goal is for everyone to be speaking this language by the year 2050 (the story is set in the year 1984—hence the title). In the mean time, Oldspeak (current English) is still spoken among the Proles — the working-class citizens of Oceania.

Orwell was inspired to invent Newspeak by the constructed language Basic English, which he promoted from 1942 to 1944 before emphatically rejecting it in his essay “Politics and the English Language“.[1] In this paper he deplores the bad English of his day, citing dying metaphors, pretentious diction or rhetoric, and meaningless words, which he saw as encouraging unclear thought and reasoning. Towards the end of the essay, Orwell states: “I said earlier that the decadence of our language is probably curable. Those who deny this would argue, if they produced an argument at all, that language merely reflects existing social conditions, and that we cannot influence its development by any direct tinkering with words or constructions.”

Newspeak’s contracted forms, such as Ingsoc and Minitrue, are inspired by the Russian syllabic abbreviations used for concepts relating to the government and society of the USSR, such as politburoCominternkolkhoz (collective farm) and Komsomol (Young Communists’ League), many of which found their way into the speech of Communists in other countries.

Foundation series – Wikipedia, the free encyclopedia

Foundation series – Wikipedia, the free encyclopedia.

The Foundation series is a science fiction series by Isaac Asimov. There are seven volumes in the Foundation series proper, which in its in-universe chronological order are Prelude to FoundationForward the FoundationFoundationFoundation and EmpireSecond FoundationFoundation’s Edge, andFoundation and Earth.

The premise of the series is that the mathematician Hari Seldon spent his life developing a branch of mathematics known as psychohistory, a concept o fmathematical sociology (analogous to mathematical physics).

Using the laws of mass action, it can predict the future, but only on a large scale; it is error-prone on a small scale. It works on the principle that the behaviour of a mass of people is predictable if the quantity of this mass is very large (equal to the population of the galaxy, which has a population of quadrillions of humans, inhabiting millions of star systems). The larger the number, the more predictable is the future.

Don Quixote – Wikipedia, the free encyclopedia

via Don Quixote – Wikipedia, the free encyclopedia.

fully titled The Ingenious Gentleman Don Quixote of La Mancha (SpanishEl ingenioso hidalgo don Quijote de la Mancha), is a novel written byMiguel de Cervantes. The novel follows the adventures of Alonso Quijano, who reads too many chivalric novels, and sets out to revive chivalry under the name of Don Quixote. He recruits a simple farmer, Sancho Panza as his squire, who frequently deals with Don Quixote’s rhetorical orations on antiquated knighthood with a unique Earthy wit.

He is met by the world as it is, initiating themes like IntertextualityRealismMetatheatre and Literary Representation.

Mentat – Wikipedia, the free encyclopedia

Mentat – Wikipedia, the free encyclopedia.

The Mentat discipline is developed as a replacement for computerized calculation, humans trained to mimic computers: human minds developed to staggering heights of cognitive and analytical ability.

Unlike computers, however, Mentats are not simply calculators. Instead, the exceptional cognitive abilities of memory and perception are the foundations for supra-logical hypothesizing.

Mentats are able to sift large volumes of data and devise concise analyses in a process that goes far beyond logical deduction: Mentats cultivate “the naïve mind”, the mind without preconception or prejudice, so as to extract essential patterns or logic from data and deliver useful conclusions with varying degrees of certainty.

 

Geist – Wikipedia, the free encyclopedia

Geist – Wikipedia, the free encyclopedia.

Geist (German pronunciation: [ˈɡaɪst]) is a German word.

Depending on context it can be translated as the English words mind, spirit, or ghost, covering the semantic field of these three English nouns. Some English translators resort to using “spirit/mind” or “spirit (mind)” to help convey the meaning of the term.

Edmund Spenser‘s usage of the English-language word ‘ghost’, in his 1590 The Faerie Queene, demonstrates the former, broader meaning of the English-language term. In this context, the term describes the sleeping mind of a living person, rather than a ghost, or spirit of the dead.

The word Geist is etymologically identical to the English ghost (from a Common Germanic *gaistaz) but has retained its full range of meanings, while some applications of the English word ghost had become obsolete by the 17th century, replaced with the Latinate spirit.[3] For this reason, English-language translators of the term Geist from the German language face some difficulty in rendering the term, and often disagree as to the best translation in a given context.

Litany Against Fear

The only completely dynamic pattern is Consciousness itself; other structures are static to a variable degree.

via Litany Against Fear.


I must not fear. Fear is the mind-killer. Fear is the little death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.
– Bene Gesserit Litany Against Fear


Continue reading “Litany Against Fear”

Comparative literature – Wikipedia, the free encyclopedia

Comparative literature (sometimes abbreviated “Comp. lit.”) is an academic field dealing with the literature of two or more different linguistic, cultural or national groups.

While most frequently practiced with works of different languages, comparative literature may also be performed on works of the same language if the works originate from different nations or cultures among which that language is spoken. Also included in the range of inquiry are comparisons of different types of art; for example, a relationship of film to literature. It is one of the degrees in English.

via Comparative literature – Wikipedia, the free encyclopedia. Continue reading “Comparative literature – Wikipedia, the free encyclopedia”